Festen (Celebration, Denmark, 1997)

The first film to be made under the constraints of the Dogme 95 manifesto, a back-to-basics anti-Hollywood statement, Festen certainly hasn’t dated. Watching it again I was struck by the tragic-comedic elements; the guests’ drunken and senile behaviour as well as the slapstick of the chasing around. I guess, the first time, I was being [...]