Into the Wild (US, 2007)

Lost in the wilderness


Add a ‘coming of age’ (or not, in this case) movie to a western and road movie with an arthouse aesthetic where the beauty of the image has portentous echoes, then you might get Into the Wild. It’s true story of Chris McCandless who rejects his family, and their bourgeois aspirations, to do the American thing: find yourself in the wilderness. There’s terrific direction from Penn where the portentous imagery (extreme slow motion in a rigged up outside shower) allows audience to see beauty in the everyday – something that cinema is very good at – and so reflects McCandless’ attempts to find a role in his life.

Even if McCandless was rejecting bourgeois values, the family is rooted at the heart of the film. Not just McCandless’ family, but the ruptured families he encounters, most movingly in Hal Holbrooke’s ‘lonely old man’.

I reckon Penn is a ‘must-see’ whether he’s in front or behind the camera; I rate this film as good as The Assassination of Billy the Kid…, hitherto my favourite film of 2007.

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2 Responses

  1. Don’t you mean The Assassination of Jesse James by the Coward Robert Ford. Not the Assassination of Billy the Kid

  2. Er… yes.

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