Fallen Angels (Duo luo tian shi, Hong Kong)

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This is probably my favourite Wong Kar-Wai film. I love its portrayal of urban alienation and Chris Doyle’s cinematography is sensational. WIth its companion piece, Chungking Express (Chung Hing sam lam, Hong Kong, 1994), Fallen Angels offers a vision of Hong Kong as a hyper-real landscape on the brink (of Chinese takeover). Hong Kong, as a place that is defined by business, is the definitive postmodern environment and the surface glitz of the films’ imagery emphasises this aspect of the place. However, the ‘lost’ and ‘longing’ characters, humanise our understanding of late 20th century existence.

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