There have been a number of films this century that have dealt with migration: the best include the thriller of Dirty Pretty Things (UK, 2002), the abstruse Code: Unknown (2000) and the realist Ghosts (UK, 2006). The Silence of Lorna is also realist with its handheld camera and focus on life in the margins. The realism, however, hinges on the utterly convincing performance of Arta Dobroshi in the lead.
This is a grim ‘slice of life’ that suggests that the price of a human life is a pittance for many. Whilst this is nothing new it is shocking to realise that this ‘third world’ expectation is in the heart of Europe. I found the ending puzzling: a retreat of the city? A grim pastoral place? Lorna losing her mind? Maybe she should’ve simply taken the money and ran. The relationshipl between Lorna and her ‘husband’ is beautifully rendered and, presumably the shocking twists of the narrative where why the script won at Cannes.
Filed under: European cinema |