This postmodern (all the monsters are from ’50s SF movies) concoction has some interesting visuals and shedloads of limp gags (one or two are OK) and a terrible ‘girl finds career-minded fiance is not worth it’ sub plot. I saw the film at the National Media Museum’s IMAX (Bradford, UK) in 3D; the first 3D film I saw was The Creature from the Black Lagoon (1954) – not when it came out! – and the 3D technology has certainly moved on from then.
However the reasons behind Hollywood increasingly using 3D are the same: competition from other media. Although the North American box office take has remained stable in recent years the number of tickets sold are in decline and the days when DVD was a cash cow appear to be over unless consumers decide they must have Blu-Ray. So far, it seems, that cinema-goers are happy to pay a premuim for the dubious delights of 3D; James Cameron’s Avatar, slated for release at the end of the year, will be an interesting test-case as to 3D’s immediate future.
My experience of 3D, in both films, has been that you soon get used to it so after a few moments of ‘wow!’ the eye adjusts to the new perspective and so it becomes very similar to perspective in standard films. It could be that the urge to duck, as a tennis ball approaches your headi(n the Independence Day (1996) pastiche that starts Monsters) mimics the Early Cinema audience allegedly legging it out of the way from the Lumieres’ Arrival of a Train at La Ciotat (1896) but the effect is short lived. As a ‘Cinema of Attraction’ 3D must do more than make us flinch for a few moments.
Unfortunately Monsters vs Aliens offers very little other than an attractive looking film. The subversiveness of the Attack of the 50ft Woman (1958) is wholly absent; the satire of the (non) macho President is wholly hackneyed….
… and the Godzilla (Gojira, Japan, 1954) stand-in is wholly anodyne; in fact I can’t think of a less characterised character. UPDATE: I got this one wrong, Kim Newman says (in the June issue of Sight and Sound) it’s Mothra from the 1961 film of that name.
The other two monsters are from The Fly and The Blob (both 1958). I don’t know where the alien comes from (comments please!) but it is very similar to those in Mars Attacks! (1996) which were based on bubble gum cards. The alien is a terrific-looking creation, well characterised with marvellous sound effects.
From a cineaste’s point of view, 3D is just not very interesting. Far more engaging is the use of deep focus where the relationship between fore and background are dramatically intertwined and so give us an emotional jolt and not the saccherine satisfaction of 3D in this film.