Undoubtedly the funniest film I’ve seen in a long time. It stars the man with the maddest hair in contemporary cinema, Song Kang-ho, and some of the best action sequences in any western. Clearly a homage to Leone’s spaghetti westerns the visual style, as you expect, is stunning but director Kim Ji-woon (also A Bittersweet Life, 2005, and A Tale of Two Sisters, 2003), fills the mise en scene with fabulous detail that complements Song’s ‘hamming’ comedy. In one shoot out he wears a deep sea diver’s helmet, in another he’s on a motorbike being chased by a bounty hunter, two bandit gangs and the Japanese army.
Like Tears of the Black Tiger (Thailand, 2000), Good-Bad-Weird delights in virtuoso camerawork but while I did get bored by the former, Kim’s movie never palls and I look forward to seeing it again to appreciate the tremendously fluid camera movement, and the actors’ movements in the frame. The use of colour is, like Black Tiger, utterly stunning. But what shines out in Song’s comic timing, seen also in The Host (2006) and Memories of Murder (2003); from his furtive glance around him as if everyone is listening to him to his hapless attempt to escape where he’s asked if he’s attempting to escape (he says, ‘No,’) the guy is a comic genius.