Thor (US, 2011)

Oedipal shenanigans

Yet another male having to prove himself to his father… yawn. Oedipus and Freud are probably the fathers of Hollywood. Are Hollywood execs yearning to prove themselves to their fathers? Are their lives so empty that they constantly seek self-realisation in the resolution of the narrative? So why am I bothering to blog this film?

I’m not familiar with the Marvel comic source material but the film version does offer, at least, a slightly more subtle version of masculinity than, say, Schwarzenegger’s Conan. Chris Hemsworth’s pretty boy musculinity does manage to find a non militaristic way of being a man. I won’t be giving the film away by telling you that the catalyst for this is a woman: Natalie Portman’s attractive (under-statement) scientist.

Visually the film’s OK; by that I mean it’s pretty stunning but CGI’s ability to do anything has rendered it virtually incapable of creating genuine spectacle. I ended up in the 3D version which only confirmed that, for this type of cinema, it is entirely unnecessary; something multiplex audiences are starting to agree with by choosing the cheaper 2D versions this summer over the 3D offerings.

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