Sin nombre (Mex-US, 2009)

On the track to nowhere

I enjoyed this rather conventional take on migration and gangs, conventional in its narrative drive but unusual in its focus on Central America. There are two strands to the narrative: Sayra is trying to get to USA via Mexico and Caspar, who falls out with his gang leader; the two threads entwine as he tries to escape.

The portrayal of place is excellent, writer-director Cary Fukunaga (an American filmmaker) has done his research well. I particularly liked the scenes on the train, giving us a sense of the desperation of people who have no choice but to travel illegally; reminiscent of the ‘down and outs’ of the Great Depression in America. Less convincing was the gangs which are rather cliched; however that’s not to say that that isn’t how it’s like (how would I know?). I would have liked to see more of why young men are attracted to gang life (no doubt for economic reasons).

For us cosseted westerners, this is an ideal film because we can see the usually-vilified Others (illegals) and so understand better why they are forced to be illegal. This is far better than swallowing the tripe that the mass media peddle.

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