Lore (Ger-Aus-UK), 2012

The losers' version

The losers’ version

I going to have to watch director Cate Shortland’s other film (Somersault) after seeing her brilliant direction in this tale of what might happen to children of the SS just after the end of the war. To further confuse matters, it’s also a ‘coming of age’ story of Lore who finds herself discovering her sexuality whilst being responsible for getting her four younger siblings to Hamburg from the Black Forest.

Shortland uses extreme close ups of the environment to counterpoint the often disturbing images of collapse in post-War Germany as children embark on their ‘road trip’. The film shows the ‘ordinary’ German’s reactions to images of concentration camps (American actors) as the seek solace in denial. Of course Lore encounters a ‘Jew’ on her journey to, in true melodramatic tradition, confront her own prejudices.

Saskia Rosendahl is spellbinding in the lead; the performances throughout are as good as the direction (particular mention for the baby who’s woeful eyes follow his departing mother). The film’s shot in super 16mm, the grainy image gives a surreal quality, accentuated by the close ups, that befits a disturbing time.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: