Daisies (Sedmikrásky, Czechoslovakia, 1966)

Anarchy in Czechoslovakia

Anarchy in Czechoslovakia

Vera Chytilová died in March and Daisies is probably her most celebrated film; it is brilliant. Two Marias (Ivana Karbanova and Jitka Cerhova) waltz through the film on an anarchic romp which starts off with them eating apples. The symbolism is obvious, as is the bananas, sausages and hardboiled egg that they snip at with scissors while a would-be lover claims he’s in love (by which he means lust). It’s slightly peculiar to say that the girls (Peter Hames in The Czechoslovak New Wave states they are 17) are trampling on bourgeois sensibilities in a so-called communist state, but the privileged middle classes obviously existed there too. In a nightclub, where the clientele are being entertained by the Charleston, the Marias randomly drink others wine and generally make a nuisance of themselves. They allow themselves to be taken to restaurants by older men only to bail out before the men have their ‘wicked way’. They also decimate a banquet, evidently laid out for an audience listening to Wagner’s Twilight of the Gods (where the bourgeoisie meet their fate).

The film’s epitaph sums it up: ‘This film is dedicated to those whose sole source of indignation is trampled on trifle’. There’s plenty of trifle in the final scene, flying around in true slapstick fashion and the anarchic comedy of Max Sennett is clearly a touchstone for Chytilová as parts of the film are speeded up in the manner that ‘silent movies’ used to be. Czech surrealism, such as Jan Svankmajer (in scenes of pixilation – animation using live actors), is also evident as some of the art movements of the 1960s, such as ‘cut ups’. It’s a terrific brew of full of humour and brio and, most of all, feminism.

The film opens, and ends, with images of bombing. I took them to be a reference to the Vietnam war. The girls’ adventure starts by them deciding that everything’s spoiled in the world. Hence, their assault on bourgeois sensibility is an attack on the way the world was at the time; and it’s still like that. Clearly Chytilová was attacking more than trifles.

I was reminiscing about university with a friend and she remembered that she was part of the ‘300 group’ that aimed to get 300 MPs into Parliament. That was over 30 years ago! This film’s nearly 50 years old and the battles for equality between the sexes still need fighting. Young women could do far worse than learn some attitude from these Marias.

 

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