Whilst most of the Korean films I watch are beautifully framed, Jang Ik-joon’s debut features the long-lens, hand held close up that gives an edgy, uncomfortable look to proceedings. It’s entirely appropriate as the film’s protagonist is Sang-Hoon (played by Jang who also wrote the script), an unhinged debt collector who is as likely to beat up his associates as their victims. He meets school girl Yeon-Hue (Kim Kot-bi) when he spits on her… you get the picture.
However, the more we learn about Sang-Hoon’s upbringing the more we understand his behaviour. It would be stretching a point that the film gets us to actually like the thug, but we do come to understand why he is the way he is. Yeon-Hue, too, is a product of a dysfunctional family though she responds with feistiness rather than violence. Presumably that’s to do with gender, how females and males are socially constructed; South Korea is portrayed as an extremely patriarchal society.
Jang has yet to direct another film but has acted in many others; I’m looking forward to seeing more of his work.