Rüdiger Vogler, who also featured in Alice in the Cities, plays an itinerant repairman, Bruno Winter, who journeys through Germany fixing film projectors. He meets up with Robert Landler (Hanns Zischler), who crashes his iconic German Volkswagen into the Elbe (the border between East and West Germany). Landler’s upset due to his wife leaving him and Winter clearly struggles to communicate with others. The overall feel of the film is one of ‘alienation’ however this is seen as natural condition of the time. Director Wim Wenders, with his location shooting, 11 weeks on the road mostly along the East-West border, offers a lament for the small town cinemas that are being forced to close or were reduced to screening ‘sex films’ . The overall tone, however, is often light as the friendship between the two men develops.
The film is a long (nearly three hours) investigation of issues of German identity, men’s relationship with women and the decline of cinemas. The love-hate relationship that Wenders obviously had with American culture is summarised by Winter’s comment that, ‘America has colonised our unconscious.’
Incidentally, the film also includes a peculiar scene were we witness Winter excreting.