A film about sex trafficking would fit readily into exploitation film and so it was a relief that director Megan Griffiths, who also co-scripted, avoided the potential for salacious representation and simply focused on the degradation. It’s based on Kim Chong’s, a Korean-American, true story of abduction and induction into sex slavery in the American South. Ex MTV-presenter, Jamie Chung, brilliantly fills the role from bewildered teen to one who will do whatever is required to escape. The fact that the other women are under-characterised may be intentional and reflect their submission to their exploitation. Matt O’Leary is similarly excellent as the guy running the operation, under Beau Bridge’s corrupt eye; O’Leary captures the junkie’s twitch brilliantly.
Ostensibly the film is a thriller, however Kim’s resistance is long-developing which works against the genre. Correctly, the ‘real life’ source material over-rides the genre’s prerogative and any audience frustration that Kim isn’t fighting back enough works to enhance the feeling of entrapment. Griffiths is excellent in her representation of men, most of whom have no interest in women other than as sex objects and recipients of their ejaculate. Men are shown to feel entitled to the women. It seems that society socialises men to believe they are better than women and any woman who challenges that needs ‘taking down’; hence the bile of trolls against any feminist discourse. The fact that all of these men are pathetic in some way, because they cannot take being challenged by a woman, is something that inevitably escapes them.
Eden works both as a thriller and a feminist film that attacks complacency regarding the position of women in our society.
I recently caught up with a brilliant BBC documentary Blurred Lines: The New Battle of the Sexes; a look at the comments below the YouTube video (link) gives a clue as to some men’s inability to understand feminism. Laughably (well it’s not that funny) many of them suggest it is men who are victims. The merest challenge to their entitlement of superiority sets them off on egregious rants. I do sense we are at a tipping point, as in the ’60s and ’80s, when feminism is going to make a big impact and, hopefully, not be recouped by patriarchy.