I’ve only just caught up with this television series broadcast last year on BBC1 and winner of the Best Drama BAFTA. It’s probably the best TV series I’ve ever seen. The ironic title takes in the beautiful scenery around Sowerby Bridge and Hebden Bridge in West Yorkshire and uses it as a setting for severe dysfunction at both a social, the amount of drug abuse, and personal level, as Sarah Lancashire’s policewoman Catherine Cawood battles both. Lancashire’s brilliant performance, amongst the many that serve to make this series so good, shows us exterior toughness, as s cop on the beat, as well as interior turmoil of a mother who’s lost a daughter and dealing with a difficult grandchild she has, more or less, adopted.
It works well as a cop drama too with Cawood’s maverick tendencies railing against her superiors’ corruption, superciliousness and ineptitude. Writer Sally Wainwright brilliantly ‘derails’ the cop narrative, to an extent, in episode four (I’m working hard not to give anything away), to switch the emphasis to the lead’s personal demons. The ‘cop’ genre and melodrama meld brilliantly to ensure there’s no sense we are getting the cop’s home life as a way of engaging female audiences whilst the action is for the men.
As defiant female characters go, Catherine Cawood is amongst the best. Although gender isn’t particularly the issue as we are simply watching a strong, human being dealing with crises. In her representation of the victim of a kidnapping Wainwright is careful to show both the consequences of the experience and the strength required to overcome the trauma.
How can season two match this?!