Carol (UK-US-France, 2015)

Love at first sight?

Love at first sight?

Fifties (set) melodrama; what’s not to like? Haynes’ Far From Heaven (US, 2002) sumptuously recreated Sirkian melodrama. Here his mise en scene is more restrained though the passion of the characters, perfectly played by Blanchett and Mara, sears the eyeballs. If anything, visually Carol is a little disappointing given the graininess of the super 16mm film; Haynes’ explanation, in December’s Sight & Sound, seems to be that he doesn’t like the sheen of digital film. I had assumed he was after a retro look however I just found it distracting. Enough cavilling!

Haynes’ framing reminded me of Fassbinder; characters are placed at the edges of unbalanced frames. This reflected the ‘forbidden’ love of the protagonists in the homophobic 1950s. The stupidity of those times might be laughable but when Trump is the Republican front runner it’s not funny as many people’s mentality obviously remains backward (to be polite).

I particularly liked Mara’s character; although she is a young woman finding herself in the world she refuses to be browbeaten. Blanchett’s Carol, too, decides not to be a victim of patriarchy and the final scene, with men almost swirling through the mise en scene, is extremely powerful. Undoubtedly one of the films of the year.

PS there’s an excellent Screen International article on the production of the film here.

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2 Responses

  1. Do you mean Rainer Werner Fassbinder?

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