The Matrix was a landmark special effects film; I still remember my awe when Trinity (above left) leapt in the air and froze as the camera tracked around her. Bullet time had arrived just before the turn of the century and CGI started its rule of Hollywood. The Matrix was more than a special effects extravaganza though, its subversive plot was seamlessly integrated with the digital wizardry and the knowingness of the action sequences justified their hyperbole.
I hadn’t seen the film for a number of years but it has stood up well. It was the Wachowski Brother’s second feature (after the superb Bound, US, 1998) and they integrated their cinephilia superbly into the mise en scene. The noir narrative is fully complimented by the set design. They haven’t managed much since unfortunately.