About half way through Lion, which tells the astonishing tale of how a foundling finds his mum despite being brought up in a different continent, I wondered what the film was going to say. It was brilliantly done: the direction from Garth Davis (his first feature) is highly promising and the young Saroo (who’s 5 years old ) gets an amazing performance from Sunny Pawar. But the film lacked a focus as it didn’t seem to adding anything to my understanding of the world. The last third of the film filled that absence and spoilers follow.
Davis, with the editor Alexandre de Franceschi, links the two worlds – of India and Tasmania – with great skill. Close ups of the protagonists in crowds emphasises the anonymity and massive populations of cities showing how miraculous it would be for Saroo to be reunited with his mother. When, as an adult, he is having a ‘nervous breakdown’ the editing serves to illustrate his memories with graphic (the composition in the frame) and content matches between where he is and the past he is remembering. For example, when he breaks with his girlfriend (Rooney Mara brilliant in a necessarily somewhat passive role of the female encouraging the man) Saroo walks across a bridge (a melodramatic emblem for transition in life) which is matched with a shot of the young Saroo on a bridge. It is a very effective way of dramatizing how memories, which he struggles to recover, can overwhelm after they’d been triggered in a Proustian moment set off by food.
Although it is well done, Saroo’s breakdown did cause the narrative to sag and it struck me that this might be a consequence of the difficulties film has of dramatizing small events that encompass a lot of time. Conventionally, as it is here, montage is used to signify this however because screen time is inevitably much shorter than narrative time, it is difficult to emotionally understand the profound mental trauma Saroo, now in his late twenties, was experiencing. A paragraph in a book could convey this much better I suspect.
Despite this the film does convincingly demonstrate the strength of familial ties. Even though he’d only been five when he’d lost his family it is clear that Saroo will forever be missing a part of himself if he can’t find them again. Unsurprisingly the reunion is extremely emotional and Dev Patel and Priyanka Bose (mum) are exceptional in the scene.
Nicole Kidman must also be mentioned as she is at her brilliant best here as Saroo’s adoptive mum. It is difficult for a star with Kidman’s charisma to convincingly play an ‘ordinary person’ however she does it brilliantly and then we realise that Sue Brierley is anything but ordinary.