Mama (Canada-Spain, 2013)

“Where’s mama?”

I’m doing some work on Guillermo del Toro so watched Mama as one of the films he executive produced and I’m pleased I did (I think). ‘I think’ because I was genuinely scared and that’s the first purpose of horror films. Of course they’re more interesting if they also have something to say, like last year’s Get OutMama is about parenthood and childhood trauma when parents fall short. I think Kim Newman gets it wrong in his Empire review where he complains that we get to see the monster too early. Because we’re not particularly concerned about what the monster is, though there is a detailed subplot explaining the why, we can focus on the children who’ve spent five years living on their own.

Guillermo del Toro was so impressed by Andrés Muschietti’s short of the same name that he facilitated the feature length version, co-written with Muschietti’s sister, Barbara who also produced. They both went on to make It, one of the big hits from 2017.

Mama owes a lot to J-horror, particularly in the contorted movements of the monster but also through the creepy mise en scene, such as stains on the wall. The CGI is not overblown and most of the shocks come from the editing. A great horror movie to make going to sleep an issue.

The performances of the children are superb, a tribute most likely to Muschietti’s direction. Children are recurring characters in Del Toro’s work, probably as a consequence of his owned traumatised childhood in a Jesuit school. I shall have to watch It.

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