Eva doesn’t sleep (Eva no duerme, Argentina-Spain-France, 2015)

No rest for the good

I’m unfamiliar with writer-director Pablo Agüero’s work but shall be seeking out his films as he’s clearly got a brilliant cinematic eye. Nominally this film stars Gael García Bernal but his contribution is probably no more than a day’s work and a boost to the film’s financing. Another well known international actor, Denis Levant, has a meatier role as the Colonel who’s transporting Eva Perón’s corpse after the coup d’état in 1955.

The film investigates, tangentially, the mythic status of Eva Perón in Argentina in a few highly stylised scenes. Iván Gierasinchuk’s brilliant cinematography, often looking almost monochrome, gives a mythic edge to the mise en scene. Agüero’s often static camera observes conversations between: Perón’s embalmer and a cleaner (representative of those Perón championed); the Colonel and a Private (resulting in a stunningly choreographed fight); the kidnappers of the General, who became President after Juan Perón, and their prisoner. The action covers 25 years and is framed by Bernal’s Admiral who represents the military Establishment’s hatred of Eva.

As someone unfamiliar with Argentinean history the film, though certainly not a lesson, was enlightening. However the most striking aspect was the Agüero’s presentation of a fascinating story. It reminded me of Death and the Maiden (UK-France-US, 1994) based on Ariel Dorfman’s play (and directed by Roman Polanksi), though the latter is far less visually stylised. (Netflix)

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