Mustang (France-Germany-Turkey-Qatar, 2015)

In the shit

Not long after enjoying Kore-eda Hirokazi’s pean to sisterly love I came across another sister-centric film, this time directed by a woman, Deniz Gamze Ergüven. She grew up and was educated in France (her father was a Turkish diplomat) and was 37 by the time this, her first feature, was released. Hopefully, it will be the first of many however her second, Kings (France-Belgium-China-US, 2017) starring Halle Berry and Daniel Craig, hasn’t been released in the UK and scores 4.8 on imdb. Although the title Mustang refers to the North American horse, the film is firmly rooted in the conservative culture of Anatolia, Turkey.

The opening portrays the euphoria of the ‘school’s out for the summer’ moment and the five orphaned sisters, all brilliantly played, enjoy play-fighting with boys in the sea. A gossip tells their grandma and their house increasingly becomes a fortress to keep them away from boys before they are married off. The scenes of betrothal, in full view of the families who comment how the couple like one another (a version of fake news), are excruciating. The girls of forced to wear ‘shit coloured’, the youngest Lale’s term, clothes to cover themselves. What can’t be hidden, particularly in Lale’s case, is the girls’ life force that contrasts forcefully with the hidebound adults (with the exception of a friendly truck driver).

As a westerner it is easy to sympathise with the girls and in Turkey the film hit a discordant note with the forces of reaction, fuelled as they are by President Erdoğan. It’s a long time since I’ve been to Turkey where, in a tourist backwoods, I was struck by how many women toiled in the fields whilst the blokes put their feet up in the coffee houses: patriarchy feathering its comfort zone at the expense of women.

Mustang is a great rallying call for the oppressed and a lesson for the oppressors, if they’ll listen. It’s also a heart-filling portrayal of determination, through Lale’s character, that will not let the bastards get her down and she keeps on keeping on. I loved the last shot of the film suggesting that women can only save themselves.

One Response

  1. […] Mustang (France-Germany-Turkey-Qatar, 2015) […]

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