Phoenix (Germany-Poland, 2014)

Doppelgänger?

I’m sorry I missed this in cinemas as, after (for me) the disappointing Barbara (Germany, 2012), it was a return to the brilliance of Yella. In addition, the ghost of Fassbinder haunts the mise en scene and performance style, which can only be a good thing. The ‘phoenix’ is Nelly/Esther (Nina Hoss) who returns to a highly-stylised, rubble-strewn Berlin after World War II, and tries to pick up the pieces of her life. While the plot strains credulity, she’s no longer recognized after surgery, that matters not at all as the symbolic nature of the narrative is carried with great dexterity.

The ‘phoenix’ is also a nightclub shot in a lurid red that Fassbinder would have celebrated. Shades on pre-Nazi cabaret Berlin are also haunting the time and place. Hans Fromm’s cinematography emphasises the noir mood and The Third Man also looms in the shadows amongst the bombed-out sites.

Hoss isn’t a performer I warm too but she is absolutely perfect in this role. Hoss’ ‘not quite thereness’ suits Nelly/Esther’s character whose trauma, that of concentration camp victims, fundamentally altered her psyche. If her motivation, in seeking her lost husband, seems a tad unconvincing at the start, as we learn more about her (and his) circumstance the narrative makes perfect sense. It also has an absolutely brilliant ending.

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