Savage (Les fauves, France, 2018)

Savage? Really?

My second instalment of Myfrenchfilmfestival2020 fared no better than my first, however Savage is more coherant than Jessica Forever. Lilly-Rose Depp (celebrity royalty but she performs well) plays Laura who, it transpires, is a troubled teen spending time at a camping site with her cousins and aunt. I say ‘transpires’ as the ‘set-up’ doesn’t make it clear she is the protagonist; her cousin Anne (Aloïse Sauvage) seems to be equally important at first. This isn’t an issue but in a conventional (would-be) thriller, narrative economy is to be expected and the rather diffuse opeing suggests the script (written by director Vincent Mariette and Marie Amachoukeli-Barsacq) isn’t quite up to the task.

It appears the campsite is being plagued by leopard attacks (police presence is pretty minimal for some reason) but Laura discovers through casual burglary (which Anne joins in) the truth. It’s not clear why the cousins like breaking in to their neighbours on the site and it seems more of a plot device (leading to Laura’s discovery) rather than a psychological insight into character. This lack of clarity infects the film as a whole and shows how difficult it is to write scripts that nail the plot devices to a film’s theme in a convincing way. It’s a film with possibilities but they never coalesce into a convincing whole.

Comédie Française’s Laurent Lafitte, seen in School’s Out, adds a brooding presence but his motivation is unclear. It’s apparently about him wanted people to reconnect with wild myths but this is undercooked. This is potentially a very interesting thread for a thriller; the attraction of the genre may be about feeling a primitive fear that cosseted folk of today miss. But the potential is never articulated, it’s one idea that’s mixed with genre tropes in the hope that a palatable result follows.

Camille Cottin brings charisma to the role of Inspector Camus (a name laden with philosophical potential completely missing from the script) but I wasn’t even convinced she was actually a flic until Anne refers to her as such. There seems to be a point about gender being made through her character but…

Enough moaning. I’m not saying I’m worrying about my €7.99 investment in the festival (yet) but I’m hoping for more of a buzz from my next screening. The picture quality, incidentally, is excellent and apparently you can access the festival through YouTube but I haven’t worked out how so I’ve been streaming the films on television through my phone.

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