Nuri Blige Ceylan is one of the most interesting directors around; this is no secret, of course, as his latest film Winter Sleep won this year’s Palme d’Or. It’s taken me a while to warm to him; I eventually ‘twigged’ with Once Upon a Time in Anatolia. Which is great as it means I’ve got a lot of catching up to do with what is, in essence, an ‘old school’ art house film director. Three Monkeys concerns the fall out of a politician bribing his driver to take the ‘rap’ for car accident. As the image above suggests, there’s trouble in the air.
Ceylan, who also scripted with Ercan Kesal, is a master of ellipsis and pregnant pauses allowing the spectator to fill in the gaps. It isn’t ‘obscure’, as the narrative unfolds, all is revealed but there are moments when you’re not sure what the conclusion of the last scene was. Such ambiguity, of course, is rife in life.
He’s also a master of composition and is very patient in waiting for the right weather conditions to illustrate the melodramatic emotions of his characters (or he also controls the elements). He favours the long take and, unusually, action in extreme long shot even for intimate scenes. This loses something on the small screen but then he is making films to be seen in the cinema.
The cast are excellent, especially Hatice Aslan as the driver’s wife.