Love (France-Belgium, 2015)

You don’t know what you’re doing

Gaspar Noé does provocation more that any other director I know; even Lars von Trier. Love is a hardcore art movie that focuses on the consequences of Murphy’s (Karl Glusman) ‘sleeping around’. Like the musical, pornographic films use narrative as a frame on which to hang the sex scenes; the story takes us from one routine to another. Although Love is pornographic it’s not pornography because the sex is necessary to the investigation of the male, or some male’s, psyche. It’s motivated by the narrative not the other way around.

The other reason it’s not pornography is, despite the sex being totally explicit and ‘real’, the relationship between the characters is always important. The sex is an expression of the characters’ feeling for one another.

I didn’t see the film in 3D (it’s on Netflix) and that was also part of its provocation; one shot included an ejaculating penis with semen flying at the audience. There are various ways of responding to this: disgust being one, laughter another. But it also is a point of view shot from a female perspective that puts many of the males in the audience in a position they’ve never experienced but may expect their partners to be placed.

Noé’s humour is also apparent in the jokey references to naming a child Gaspar and Noé is a character played by himself. The funniest moment, for me, is the ending when Murphy tells Omi (Klara Kristin) that, “I’ll love you to the end.” At the moment ‘The End’ title appears. It’s funny until you realise how cruel that humour is.

At first I was irritated by Murphy, who self-regardingly blames his penis for his misdemeanours, but as the film progresses he becomes more sympathetic. Hilariously when he’s arrested in Paris for assaulting Noé he finds the investigating officer invites him for a drink to discuss sexual desire and relationships.

It’s telling, perhaps, that I’m reluctant to state too clearly my feelings about the film as in its graphic depictions of sex, and laying bare the tortured/pathetic (delete as applicable) male psyche, its revelation of what’s usually in the private sphere are maybe too truthful for me to share in the public sphere of this blog.

4 Responses

  1. […] by the state. ‘Fortunately’ Jessica (Aomi Muyock, who starred in Gaspar Noé’s Love) is on hand to maternally protect them. If my summary sounds a bit facetious that’s probably […]

  2. […] by the state. ‘Fortunately’ Jessica (Aomi Muyock, who starred in Gaspar Noé’s Love) is on hand to maternally protect them. If my summary sounds a bit facetious that’s probably […]

  3. […] The film even trumps Gaspar Noé’s provocations (at least the ones I’ve seen such as Love) as this is indisputably a pornographic film. Director Albertina Carri (she also co-wrote with […]

  4. […] The film even trumps Gaspar Noé’s provocations (at least the ones I’ve seen such as Love) as this is indisputably a pornographic film. Director Albertina Carri (she also co-wrote with […]

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